my head swings heavy
normally i wouldn't notice it
but i can feel the weight of my brain
cracking against my cranium
i think in petroleum
this is a study in oil
time is a dictator
its cuckoos pull my eyelids closed
enter a curtain of sunlight
and the curtain call of a late night
i sleep like a gray comforter
i sleep like a carpeted floor
i sleep like a month ago
i sleep like eight thousand miles
swans
"Doesn't really matter, you know, what kind of nasty names people invent for the music. But, uh, folk music is just a word, you know, that I can't use anymore. What I'm talking about is traditional music, right, which is to say it's mathematical music, it's based on hexagons. But all these songs about, you know, roses growing out of people's brains and lovers who are really geese and swans are turning into angels - I mean, you know, they're not going to die. They're not folk music songs. They're political songs. They're already dead."
Jude, I'm Not There.
Illustration of goose from here.
Wednesday, May 2, 2012
12 hours ago
thing with me is,
i get attached quite easily
to the sound of grazed ice
the look of shed fur on my jeans
the warmth of the fog on windows
(caused by my breath, because i breathe)
the winding roads that looked so welcoming
turned into snakes
(and clocks, ticking away)
when deadlines came and so did airplanes
and i miss the cold
and the warm
and the roughness of carpet
the bite of sun
stealing space on the pillows
drawing pictures throwing our heads back laughing
the heels of my feet sore and spent
walking
walking with you
and closeness
finally, closeness
to something so unfamiliar
something eight years far from here
finally, you are not pixels
you are made of fingerprints and numbers
dimensions and planes
i should have written you down in maths
i had you for a month
(eleven days)
(two weeks)
thing with me is,
i never cry
but when i left
glassy eyes were my eyes
pulse floating away from me
finding its way back to you
(this is waking up from a dream
i look for anything to make sure
it was
all real)
Saturday, February 18, 2012
Meta
I am a character. First person is used in this story – and that is what this is (this is not a journal entry or a confession or a narrative of the writer's life and feelings) – because I am a character, and this is my story. Look at my flow, look at my commas, look at my vowels and consonants and how I string them into words and form galaxies out of sentences. As a character, I have the duty to arrest your attention and shove my cells into your eyes, flood your neurons and your mind. As a character, I must. It is my foremost duty to make myself real to you, even though I might never actualize. As a character, I must never forget what I'm here for. As a character, I don't know anything beyond page one and "the end." Sometimes my writer makes me say things from before the beginning, and makes me dream after I'm finished telling my story. But all those are words. All I am is words.
As a character, I must never forget how to tell my story. I must never forget how I came to be and what I am for, even though I'll never see how I end, unless I die somewhere in my trilogy. But I'm a protagonist, I'll never die. Even in your mind I'll never die. And I must never forget that. I must never forget how to dress myself in ink.
I'm a character. My story is I might have forgotten, and now I might not be anything anymore. My story is I'm in limbo, and I'm creating beauty for myself. New species and such, new stories and the like, and I'm dreaming! but I'm not telling my story. My story is someone might have sewn my mouth shut when I was asleep. I'm a character and I have no story. I'm a character and I'm just a character, no page one, no "the end," no memories, no dreams, no present participles, no anything.
I'm a character and my story is I might not be a character. The art of telling stories is the concealment.
As a character, I must never forget how to tell my story. I must never forget how I came to be and what I am for, even though I'll never see how I end, unless I die somewhere in my trilogy. But I'm a protagonist, I'll never die. Even in your mind I'll never die. And I must never forget that. I must never forget how to dress myself in ink.
I'm a character. My story is I might have forgotten, and now I might not be anything anymore. My story is I'm in limbo, and I'm creating beauty for myself. New species and such, new stories and the like, and I'm dreaming! but I'm not telling my story. My story is someone might have sewn my mouth shut when I was asleep. I'm a character and I have no story. I'm a character and I'm just a character, no page one, no "the end," no memories, no dreams, no present participles, no anything.
I'm a character and my story is I might not be a character. The art of telling stories is the concealment.
Friday, November 18, 2011
what it is to suffocate
careful strokes of a brush,
glancing off of cheekbones
_____(like rain, on a windshield)
putting colors together
_____(like worlds in a universe)
and making of a canvas what gods did to the cosmos
carefully pushing a smile onto lips thinner than candlelight
planting a fingerprint onto Mona Lisa's skin,
_____calling her a masterpiece,
_____and then calling her "mine"
(the way her skin folds is the way you hold your breath)
glancing off of cheekbones
_____(like rain, on a windshield)
putting colors together
_____(like worlds in a universe)
and making of a canvas what gods did to the cosmos
carefully pushing a smile onto lips thinner than candlelight
planting a fingerprint onto Mona Lisa's skin,
_____calling her a masterpiece,
_____and then calling her "mine"
(the way her skin folds is the way you hold your breath)
Thursday, April 21, 2011
Jupiter
She is like the greatest of planets: grand and made entirely out of gas. Spinning, and pretending to be solid. She is a carcass of dreams, and all her heartache pools into her empty ribcage and freezes into a heart. It beats soft, but resounds vicious, like the growls of wolves' footsteps when they rush away from hunters. Hunters.
She is a sky of shards of everything. She is a piece of clockwork, ticking away the (star)dust of her eye shadow, and everything else she hides behind. She is a crumb of all the food she didn't eat, and a bead of all the sweat from all the sex. And just a bit of the bones she breaks every damn day.
Her hair strands are sharp and cutting like the needles from syringes and the edges of the words she wishes were spoken to her – sweet and kind and gentle words they are, but cruel in absence and longing. When she runs her hand through her hair, there's a chaos of new scratches on her fingerprints.
Who is she, now, then?
She sways to a song that thuds like thunder, wearing smoke like a second skin, like an atmosphere of cigarettes and no-hard-feelings. She is like Jupiter: great, grand, and made of gas. Just spinning and pretending to be solid.
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